Flamenco singing and music first occupy the stage and the attention, before a little light reveals the body of María del Mar Suárez, firmly anchored to the ground. She prostrates herself on the ground, begging and writhing.
As Los inescalables Alpes, buscando a Currito progresses, the light, gestures and sounds become more vivid, before giving way once again to darkness. The piece is thus conceived as a journey, a pilgrimage symbolizing salvation, transporting us from one point to another like an adventure, a tragedy. María del Mar Suárez - who holds degrees in dance and theater - remains faithful to her practice of hybrid, personal and modern flamenco, with a hint of krump.
Visceral and hypnotic, Los inescalables Alpes, buscando a Currito is her third piece.
